Unfortunately, he didn’t have much of a filing system for either Paper or Digital scores.
I’ve been trying to collect up all the music (Digital and Paper), and sort it with the intention of making sure that it got to the people that could use it and who would appreciate the effort.
I’m using a 32GB thumb drive now and unlike previous attempts will hopefully not run out of space.
I’ve also been finding a lot of duplications. I suspect that is in part due to the lack of a filing system and in part it might be further evidence that he’d been “off” for a while and was doing a damn fine job of hiding that fact from me.
No, I’m not angry about it. I’m just a little sad. He did his life, his way, as do I. We called “Shotgun” on each other’s journey through life and rode together for a long time. It’s cool, even if I am a little sad about the way things went from time to time.
As an aside, I have no clue how music is supposed to be catalogued, or indexed, or anything else.
I’m just doing what seems “Right” with the music much the same way I’ve done with every other curveball that’s come my way over the past 10 months.
In addition to the actual musical scores, some of which are only identifiable by opening them. (I’m fixing that slowly but surely.) I’ve also run into actual recordings where he was playing and recording into GarageBand either via a MIDI connection or he was using a microphone. Hearing him play has been somewhat jarring because I recognize his style and technique. It’s okay, but I’m still prone to crying over stuff like that, because the memories of him practicing a particular piece come flooding back.
I’ll be a little sad over not being annoyed and hiding out in the office as he played the same measure over and over again trying to get it just right. In a way it was like RAP with Classical music!
I hate RAP!
As I typed that, I was smiling through misty eyes.
I’m sorting the music as best I can. If something has Hebrew characters in it, then it’s obviously going into the Jewish music folder. If it’s written in Russian It’s probably a fair bet that too is going to be Jewish Music. That is also true of German and Spanish.
I’m so out of my depth!
I’ve been looking for keywords in the scores. If I find anything that is recognizably Hebrew or Yiddish I know where to file it.
Christian music is a little easier because there I only have to scan for “Jesus” or Holy Ghost or Father, Son and Holy Spirt. You don’t find those kinds of references in Jewish Music.
Things start to get dicy when there are no lyrics, only the musical notation. If the title isn’t obvious, then I’m in a bit of trouble.
If I can sound it out and recognize the roots or the rhythm of the piece then I’ve got a shot at getting it in the right place. Some music is instantly recognizable as Jewish when you hear it.
I recognize the names of many classical pieces, or at least the composer so those scores go into the Classical Folder.
But wait! There’s more…
The harp music, the organ music, the piano, harpsichord, and even accordion music is all in one big assed digital pile.
For him, this presented no problem. He’d open an arrangement and know exactly what instrument it was for just by looking. Hell, I think sometimes he didn’t care what the score said the instrument was supposed to be. I think he’d just figure it out on the fly. That’s what a classically trained musician can do. It’s a skill built up over a lifetime and it’s amazing to watch in action.
I’ve been trying to sort the Harp and keyboard music into separate folders. Some of the folks that will be looking at this are classically trained musicians, but others aren’t. Some of the amateur choir members can carry a tune and read music, but I know the other half curated very carefully what he gave to the choir.
It wasn’t about him disrespecting them, it was about not wanting to frustrate them with super busy scores. Sometimes he’d sit down and manually do choir only notation as a new file that he’d print here. Then we’d assemble the choir books if he wanted or needed my help.
I was probably next to useless because I didn’t read music. But I could follow instructions, run the printer, punch holes in pages, and we’d be spending the time together.
I know I could just hand all of the over to “Real” musicians instead of a hack like me. One reason that I don’t is because also mixed in this big pile of musical scores are receipts, and medical evaluations, and all the usual documents that one accumulates. So I have to be the one that filters all of this stuff out.
Some of the pieces of music where he’s actually playing are in Apple only formats. Not a problem for me… But the Synagogue and Church are Windows based. So I’m letting my super fast computer handle processing the music into something universally playable. That takes time. Not much in the way of computer time, but time listening to the various edits and editions to determine which one is most likely to be the “Final” version that he’d want distributed.
Perhaps I’m doing all of this as much for me, and the other half, as I am for the Synagogue and Church.
It’s tedious, and time consuming. But I’m hoping to construct something that he’d be proud of.
